Hey, bookworms! Today is my stop on the blog tour for SHELL and I'm excited to share with you all this fabulous guest post from the writer herself, Paula Rawsthorne.
Q. Why and how do you write thrillers?
Hi Katie,
Thanks
so much for inviting me onto your blog. I’ve written three YA novels
(and I’m feverishly writing my fourth) and if I had to put them in a
genre then ‘thrillers’ would definitely be appropriate. However, as
with many novels, the characterisation isn’t straightforward. So, for
instance, all three novels have a strong psychological element to them.
This means that as well as all the twists, turns and action that you’d
expect from a thriller, they also delve into what’s happening inside the
character’s heads – the mind games that they play with each other,
their motivation and the effects of events on their behaviour. Also,
just to mash it up even more, both my first novel, The Truth About Celia
Frost and particularly my latest SHELL, have an element of science
fiction within them as I’m fascinated by what may happen, in the near
future, as advances in medicine and science are taking place so rapidly.
This also throws-up complex ethical questions which society will have
to grapple with and which I enjoy exploring.
SHELL is the story
of Lucy Burgess, a dying teenager, who is given a body transplant
without her prior knowledge or consent. The novel is told entirely from
Lucy’s perspective as I wanted the experience to be as immersive as
possible for the reader. I hope to make the reader feel what it would
be like to be Lucy, trapped inside someone else’s body with all the
ensuing physical, emotional and psychological turmoil.
I wrote
SHELL as a thriller because it’s a great form to write entertaining,
gripping stories whilst also allowing you to explore interesting,
thought-provoking themes which are integral to the plot and characters.
Whether a thriller is read as a pure piece of entertainment or as
something deeper that leaves the reader thinking, it can still succeed
as a good read.
I also chose to writer in this genre because I
enjoy the process. Developing the storyline for a psychological
thriller is like putting an intricate jigsaw together and this appeals
to me. I’m most definitely a ‘Plotter’ and I love working out how the
story unfolds and characters develop with all the twists and turns.
I’m
very old school in the sense that I use a cork board and revision cards
to help me work out the plot. My board starts to resemble a police
investigation as I reject, swap and insert scenes until I’m satisfied
that I’ve got a strong skeleton for the whole story. Only then do I
start the actual writing. I find that my storyboard gives me the
confidence and freedom to let the narrative and characters take
unexpected paths as the plot evolves and takes on a life of its own.
Thrillers
are the genre I most enjoy reading as well as writing. I love to feel
the tension and suspense of a gripping, well written story and I want
the author to make my jaw drop with some shocking revelation that I
didn’t see coming. However, another winning element to the thriller
genre is that, if you do happen to work out the revelation before the
reveal, you can feel extremely smug with yourself, so it’s satisfying
either way.
I hope that SHELL will be enjoyed by readers and maybe even give them food for thought after all, how far would you go to stay alive?
Paula Rawsthorne is the award-winning author of Blood Tracks and The
Truth about Celia Frost. She first found success when she won the BBC
National ‘Get Writing’ competition with her prize-winning story read on
Radio 4. She has also been a winner of SCBWI’s ‘Undiscovered Voices. She
is passionate about enthusing teenagers to get reading and is a writer
in residence in a secondary school for the national literacy charity
‘First Story’. SHELL is her third novel for young adults.
Huge thank you to Paula for stopping by with an awesome post! Be sure to keep an eye out for my review of SHELL later in the week. Also, don't miss out on the other wonderful blogs taking part in the tour: